Lauren began her music career as a vocalist & writer, quickly picking up rhythm guitar in order to perform solo. She has released 2 solo studio EP’s (‘Bad Decisions in the Daylight’ & self-produced ‘Theory of Mind’), one self produced/engineered EP (‘Outside One Girl’) and two singles including a cover of Talking Heads ‘This Must Be The Place’ with 5-time Grammy winning engineer, Alfonso Rodenas (Los Tigres Del Norte). Her song ‘Beyond This Moon’ was featured in the 2019 web series “Coffee House Chronicles”.
She founded Seattle rock band Buried Blonde in 2020 after teaching herself to record during lockdown, also learning bass and drums. She wrote, arranged & co-produced the debut Buried Blonde ep, ‘What Now’. She credits quitting drinking for the shift to a more aggressive writing style. She embarked on a path of sobriety in 2017, having fallen into substance abuse after losing three homes to natural disasters within 6 years. Lauren is a former professional wrestler and studied stand up comedy in LA under Greg Dean to help build her live performance skills. She currently writes and records experimental music along with writing for Buried Blonde and producing a summer rock series and winter unplugged series on Whidbey Island.
Imagine a song with a mesmerizing, looping background that creates a sense of continuity and hypnotic rhythm. Over this backdrop, you hear the soothing and melodic vocals of Lauren Flynn. Her voice gracefully weaves through the music, adding emotional depth and a captivating melody that lingers in your mind. The combination of the looping instrumentation and the enchanting vocals creates a dreamy and immersive listening experience, making you feel like you’re being carried away on a sonic journey.
The instrumentation in the song pulses with a steady and infectious rhythm. It’s as if a heartbeat is at its core, driving the song forward. The repeating, pulsating elements in the background give the music a sense of urgency and momentum, making it feel alive and dynamic.
Listeners are able to relate to this pulsing feeling because it resonates with the rhythm of life itself. The steady beat mirrors the cadence of their own heart, making it easy to connect with on a visceral level. This rhythm can evoke emotions, feelings of anticipation, and a sense of being in sync with the music, allowing the listeners to immerse themselves fully in the song’s energy and emotions. It’s a musical experience that feels familiar and deeply human.
Dive into the rhythm of life with Lauren Flynn. Uncover the melodies that define our soul and let the music be your guide. Are you ready to groove to a new song?
In celebration of his birthday, dAVE embarked on an electrifying musical journey, crafting a collection of songs that bear the unmistakable imprint of electronic innovation. These tracks were meticulously written and recorded within the confines of a single day, showcasing dAVE’s astonishing musical prowess. Using nothing but a Roland SP404 mk2, an array of diverse instruments, and their own voice, dAVE conjured a mesmerizing symphony.
The performance of each song was a dazzling improvisation, each note and beat meticulously captured on the SP404 mk2 before undergoing a masterful touch by dAVE during the post-production phase. What truly sets this record apart is its commitment to an entirely hardware-based creative process. In an era dominated by digital software, dAVE dared to challenge convention, relying solely on hardware devices and instruments to bring their musical vision to life.
The underlying motivation behind this remarkable record was to emphasize the act of creation itself, unburdened by the intricate minutiae that often plague the creative process and prevent projects from reaching completion. It’s an ode to the purity of music-making, free from the shackles of overthinking.
The title of this record, a clever nod to “The Hitchhiker’s Guide to the Galaxy,” holds special significance. It was dAVE’s 42nd birthday, a number laden with cosmic importance in the story, and a friend’s birthday message humorously hinted at discovering the meaning of life, the universe, and everything. In a twist of fate, the revelation was simple: always carry a towel. Each song title draws from the rich tapestry of dAVE’s experiences with their daughter, a source of inspiration that added a unique and personal touch to this electrifying musical journey. This record is a testament to dAVE’s extraordinary talent and unwavering dedication to the art of electronic music.
“Oh No! I Don’t Have Eyes” is an audacious sonic experiment, where the haunting resonance of a lone piano key is meticulously resampled and manipulated, resulting in a cacophony of eight distinct sound textures that are boldly interwoven in a myriad of unconventional combinations. This avant-garde composition pushes the boundaries of auditory exploration, delivering an electrifying and dissonant auditory journey.
This seven-minute musical masterpiece, crafted by an electronic virtuoso with an unmistakable character, is a testament to ingenuity. Every second of the song is meticulously structured, with an arsenal of effects ingeniously employed to create a captivating sonic landscape. These effects, like a sorcerer’s spells, conjure a mesmerizing atmosphere that allows space to blossom and unfurl. The genius behind this creation weaves a sonic tapestry that evolves with an otherworldly finesse, drawing the listener deeper into a realm where time itself seems to stretch and contract.
With each passing minute, the composition’s multifaceted layers and mind-bending modulations reveal the true artistry of this electronic visionary, making it a riveting experience for anyone fortunate enough to embark on this musical journey.
This music project is a relentless exploration of the electronic and industrial domains, unleashing a sonic assault that feels like a raging electrical storm coursing through your veins. It’s as if the fierce crackling of water meeting a motherboard becomes a metaphor for the raw intensity of the beats and basslines.
The circuits in this auditory journey aren’t just intricately wired; they’re electrifyingly interconnected, creating a head-banging, mind-bending experience. Listening to this project is like a mind-altering frenzy in the best possible way, plunging you into a world of cutting-edge, heart-pounding, and bass-thumping music that’ll leave you craving for more.
Support dAVE the incredible computer wizard by following him on social media. Tune in to their content and let your brain’s motherboard sizzle with excitement.
Sour Fuzz, the Rock powerhouse hailing from the untamed Pacific Northwest, emerges like a sonic tempest, channeling the spirit of legends such as Queens of the Stone Age, Nirvana, Mudhoney, and The White Stripes. With relentless determination, they’re carving a rebellious path through the Western USA, starting at their gritty hometown and igniting a fervent tribe of followers. Their ambitions reach far and wide, with plans to dominate the East Coast, Canada, and Europe in the near future.
Their debut single, “Wide Eyed,” erupted onto the scene, infiltrating the airwaves of KISW 99.9, Seattle’s Rock juggernaut, and infiltrating the underground airwaves of local college radios like KUGS. The track became a global anthem, captivating listeners worldwide. Riding this tidal wave of success, Sour Fuzz seized the attention of renegade podcasts like “Shut up & Listen” in Bellingham, WA, and “Rock the Catbox” in Seattle, WA, where they bared their souls, revealing the raw origins, cryptic song meanings, and outrageous tour sagas.
Fasten your seatbelts, as in September 2023, Sour Fuzz embarks on their “Wild West Coast Tour” alongside their partners in crime, Seattle’s rock renegades, Stetson Heat Seeker. They’re unleashing their second single, “How Does It Feel?” recorded at the heart of the storm in Starlight Studios, Seattle, WA, on September 15th. Brace yourselves for a wild ride through the searing heart of Rock ‘n’ Roll.
Sour Fuzz, the rock band renowned for their unique style, is fronted by a charismatic lead vocalist who exudes raw energy and an enthralling stage presence. With every performance, the lead singer captivates the audience, drawing them into the band’s world of sonic intensity.
Their music, epitomized by tracks such as “How Does It Feel,” is a masterful fusion of heavy, fuzz-laden guitar riffs and pulsating rhythms. The result is a visceral and infectious sonic experience that immerses listeners in a gritty yet irresistible musical journey. Sour Fuzz has an uncanny knack for crafting songs that strike a delicate balance between raw grit and haunting melody.
Lyrically, Sour Fuzz delves into themes of rebellion, desire, and the darker facets of life. Their lyrics resonate with listeners who seek music that explores the complexities of human emotions and experiences. Each song tells a story, inviting fans to connect on a profound level.
But where Sour Fuzz truly shines is on the stage. Their live performances, featuring crowd favorites like “How Does It Feel,” are a high-octane thrill ride. The band’s energy is infectious, and their chemistry on stage is palpable, leaving audiences hooked on their distinctive blend of rock and fuzz.
In a world of music where conformity often reigns, Sour Fuzz stands out as a beacon of authenticity, a band that fearlessly pushes the boundaries of their genre, leaving an indelible mark on anyone fortunate enough to experience their electrifying sound and unforgettable live shows.
Meet this incredible duo that delivers an electrifying sound guaranteed to leave you thoroughly impressed. Explore the links below for exclusive access to their music.
Q: Do you follow a process or ritual before a performance to get rid of nerves or performance anxiety?
A: “Before each show we get the munchies and eat a whole bag of Chex Mix, have a nice cold beer, and maybe run the set all the way through in the green room. Vocal warm ups start in the van on the way to the show. We still get nerves before any show but they feel good, it wakes us up and gets the blood flowing. Honestly, the smaller shows are more nerve racking because its more intimate and people are really tuning in and listening as to the bigger show we’re the energy is so high that you could do anything and people are stoked lol” – Harold
Q: What’s the best piece of advice another musician ever gave you?
A: “R.I.F.F. (Remember It’s For Fun) it should be authentic and from the heart and try to not think to hard about it. Just make good music that you’d want to listen to.” – Harold
Q: Are there any musicians who inspire you? What qualities do you admire about them?
A: “Jimi Hendrix, of course. He really lit the fire In me to start playing guitar. He’s just one of the greatest guitar players of all time. Simple as that.” – Harold
A: “And the Raconteurs songwriting really inspired ours, anything Jack White and Brendan Benson does is awesome.” – Justin
Q: Does the band have any hobbies or interests outside of music?
A: “Yeah, I really enjoy snowboarding. I just got into it about 3 years ago and fell in love with it immediately. I’ve tried skateboarding and surfing, which I enjoy doing both of those still but snowboarding just felt right. Plus, when you fall it doesn’t hurt as much lol” – Justin
Q: If you could go open a show for any artist who would it be?
A: “Ok, I have two answers for you on this one. If we are talking legendary bands I would say Foo Fighters. They have always been an inspiration for me. Plus, Taylor & Dave are my top two favorite drummers. And if we are talking about bands in our scene I would have to say Enumclaw, I saw them earlier this year in Bellingham and they rock.” – Justin
Q: Tell us about both your backgrounds if you would. And how did you guys end up coming together to start Sour Fuzz?
A: “We’ve been friends since high school (class of 2014). Back then we would just skateboard, go to parties and jam in the garage. We have been playing music together for about 10 years now in different bands and about 2 years ago (Nov of 2021) we formed Sour Fuzz and started writing songs as a 2 piece. You cant go wrong with just Drums and Guitar, so many of our favorite bands are 2 pieces (The Blue Stones, Reignwolf, The White Stripes, Hockey Dad) so it just felt right to be a duo. Right out the gate we were playing shows in Bellingham and Seattle and making our mark in the rock scene. There are so many amazing bands here in Washington, they made us feel right at home. Once we were comfortable with our sound we finally got in the studio (Starlight Studio in Seattle) in March of 2023 and began our recording process, you can hear our first 2 singles on all streaming platforms (Wide Eyed – How Does It Feel?) And we have more on the way, stay tuned! Our name Sour Fuzz is just to best describe the sound we are going for. Just a gritty fuzzy tone and breakdowns that make your face scrunch up like when you eat something Sour.”
Hailing from the raw, unapologetic soul of Olympia, Waves Crashing is a sonic rebellion incarnate. This band thrashes through the sonic boundaries of time, resurrecting the gritty, electrifying pulse of the 80s and 90s with a ferocious edge that’ll leave your ears ringing and your heart pounding.
In the darkest corners of the Emerald City, they concoct lush, otherworldly soundscapes that transport you to a neon-lit, dystopian dreamscape. Their melodies are hooks that sink into your very essence, a relentless grip that won’t let go.
Imagine a relentless storm of synthesizers, a rhythm section that’s a seismic force of nature, and lyrics that cut through the mundane like a razor through flesh. Waves Crashing isn’t just a band; they’re a maelstrom of sonic anarchy, a furious fusion of nostalgia and innovation, demanding your surrender to their edgy, unapologetic sound.
In a world overrun by mediocrity, Waves Crashing stands defiant, a beacon of sonic chaos and creative insurgency. Buckle up and brace yourself for a wild ride through the electric wasteland of their music; it’s a journey you won’t soon forget.
“Rose Hue” by Waves Crashing envelops listeners in a transcendent, dreamlike tapestry, weaving together ethereal guitars and hazy, layered vocals, hallmarks of the shoegaze genre. Within this sonic daydream, the music conjures a sensation equal to the sun’s gentle, almost languorous caress as it bathes the Earth in a radiant, golden glow, casting its spell over your senses with each intricate note and immersive wave of sound.
The EP titled “Ancora” by Waves Crashing may seem paradoxical at first glance, as the Italian word “Ancora” translates to “still” in English. However, this musical project defies its name, offering a collection of songs that are the antithesis of tranquility. Instead of invoking a sense of calmness, the EP “Ancora” unleashes a tumultuous storm of sound, creating a sonic earthquake that reverberates through the Pacific Northwest.
Waves Crashing, the creative force behind this EP, has crafted a musical experience that is anything but serene. Each track on “Ancora” serves as a sonic tempest, with a cacophony of instruments and vocals colliding in a whirlwind of sound. The listener is immediately thrust into a world of chaos and intensity, where the musical waves crash with unrelenting force.
From the moment the first note strikes, “Ancora” unleashes a rapid quake of energy that surges through the listener’s senses. The EP’s explosive dynamics and relentless rhythm create a sense of urgency, mirroring the power of a seismic event. It’s as if the very ground beneath your feet is trembling with each beat, and the musical tremors are impossible to ignore.
Waves Crashing has harnessed the essence of turmoil and channeled it into each track of “Ancora.” This EP is a sonic adventure that takes the listener on a journey through the tumultuous terrain of musical expression. It challenges conventional notions of tranquility associated with the word “Ancora” and invites the audience to embrace the exhilarating chaos that defines this musical masterpiece. In essence, “Ancora” by Waves Crashing is a captivating eruption of sound that shakes the very foundations of musical expectation in the Pacific Northwest.
“Against the grain, not with the flow Tiptoe They build you up to let you go Xo”
I had the privilege of sitting down for an exclusive one-on-one interview with Josh Calisti, the talented musician behind Waves Crashing. During our conversation, he graciously shared fascinating behind-the-scenes details and insider insights into the inner workings of his band.
Get ready for the release of Rose Hue’s single and video this upcoming Friday, 10/6. Additionally, you’ll have the chance to secure the EP on limited CD through Shore Dive Records starting from 12/1. You will find all their music at their Bandcamp site.
The MusicManiac Finds Out
Q: What was the inspiration behind the project, and how did you come up with the name Ancora?
A: The lyrics derive from a lot of feelings of not living in the moment, nostalgia and just the general heavy weight of life at times. So, the word “still” kept coming to mind as I used it in a couple songs. I thought, why not take a page from my heritage and use the word in Italian (“Ancora”). Although the music is anything but still. Emotions and phases of life can sometimes feel that way. I also like that it’s sort of ironic with the cover art. Which was taken by Shino Yanagawa. I absolutely feel in love with the photo and thought it was a perfect for this.
Q: Can you tell us about the creative process behind it?
A: This is our 4th EP and it’s a collection of songs we recorded over the summer in our bassist’s studio (Josh Charette) In Elma, WA. Generally, I (Josh Calisti) come to the table with a raw song idea. A verse/chorus with some lyrics and a melody. I’ll present it to Bryce Albright and Josh either at practice or on a voice memo. If the fellas take a liking to it, then we’ll proceed to work on it and craft it into a more structured song with everyone adding their own parts.
Q: How do you believe your musical style or sound has evolved since the beginning of your career, and what prompted these changes?
A: I can hear the maturity in the music. I think it’s easy to see the contrast between now and the beginning of Waves Crashing back in 2019. Personally, going back much further I sometimes ask myself what the hell was I doing in other bands /projects? I believe in many ways I was holding myself back, musically. Waves Crashing is the first band that truly fits the vision I was always after and I am pretty proud of the result. It just took a while to get there. Knowing what I wanted to do and how to do it.
Q: Could you share a memorable or transformative moment from your live performances that had a significant impact on you as an artist?
A: I think anytime during a set you glance around and see someone genuinely just letting themselves go and enjoying your music is always a special moment.
Q: What message or emotions do you aim to convey through your music, and how do you hope your audience connects with your songs?
A: I hope that people connect to the songs however they’d like. Leave your troubles at the door and just get lost in them. However, I write these songs for me. It’s therapeutic, right? I really don’t bother with how they will be perceived message wise. They are personal yet indirect, so I’d be shocked if anyone knew what they were about anyways haha.
Dead Energy: Hailing straight from the gritty heart of Seattle, these cats ain’t your run-of-the-mill band, man. Picture this: Psychedelic Garage wizards, bridging the chasm between punk’s rebellious spirit, the molten fury of heavy metal, and the cutting-edge psychedelic vibes of tomorrow.
Now, let me take you back to the chaos of September ’22. Dead Energy dropped not one, but two bombs on the scene, “Sunday” and “Don’t Wanna Be,” straight outta the secret chambers of Mysterious Red X Studios. It’s like they were cooking up a recipe for musical anarchy, baby.
But here’s the kicker, the big one, 2023. That’s when these renegades are set to unleash their full-length riot. Get ready to have your eardrums blown, your minds expanded, and your souls rocked like never before. Dead Energy’s the name, and they’re here to redefine your musical universe, the MusicManiac style.
Well, you see, when we talk about Dead Energy’s music, we’re diving headfirst into a maelstrom of pure, unadulterated energy. Those distorted guitars, my friends, they’re like a wild beast unleashed, sharp and ferocious, dripping with rebellion and attitude. They’re not just playing chords; they’re wielding sonic weapons, slashing through the air with an intensity that’ll knock you off your feet. And that distortion? It’s the chaos in the storm, the sound of a sonic rebellion in progress.
Now, when it comes to those drums in Dead Energy’s arsenal, they’re not playing around either. It’s a thunderous barrage of beats, a snare drum that cracks like a whip, and cymbals crashing like a full-on uprising. The drumming, well, that’s the heartbeat of defiance right there, propelling their music forward and daring you to resist the intensity.
So, folks, when you strap in for a Dead Energy song, be ready for an experience that’s as edgy as it gets. Their lyrics? They’re a manifesto of discontent, painted with strokes of rebellion and non-conformity. Listening to Dead Energy is like being thrown into the heart of a protest, an electrifying journey that challenges norms and sparks that defiant spirit within. Bottom line, Dead Energy’s music is a visceral, no-holds-barred journey that’ll leave its mark on your soul.
Q: What initially sparked your interest in music, and how did you decide to pursue it as a career?
A: It’s different for all of us, but generally we’ve all enjoyed playing music and being in bands growing up, and it’s just been a fun thing for us to keep at.
Q: Can you describe your musical style and the genre(s) you feel most connected to?
A: We don’t take it too seriously and it’s pretty natural but it’s kinda like loose garage psych I guess?
Q: What is your songwriting process like? Where do you draw inspiration for your music and lyrics?
A: We have riffs and then jam em, figure out lyrics eventually, and just keep jamming. As far as inspiration, obviously artists we love like Thee Oh Sees, Acid Dad, Meatbodies, but lyrics are kinda whatever between our real thoughts and just what sounds neat.
Q: Many musicians have unique rituals or routines before performing. Do you have any pre-show rituals that help you get into the right mindset?
A: Nothing official, probably just grabbing some food and a beer after load in.
Q: Collaboration often plays a significant role in music. Can you share a memorable experience working with other musicians or producers and how it influenced your music?
A: We’ve been lucky to work with two producers who we’re familiar with as friends, Sam Wesner on our first singles and Max Stephens on Headcase, so we had a lot of fun both sessions.
Q: How has your music evolved over the years, and what can fans expect from your upcoming projects or releases?
A: We’ve only been a band for a year, we’re still finding it, but we definitely love what we’re currently doing and just plan to build on that.
Q: What advice would you give to aspiring musicians who are just starting their musical journey? These questions can help you delve into a musician’s background, creative process, and experiences in the music industry.
A: Go to shows, hangout with musicians, make friends not enemies, be nice, be open minded, practice.
In the gritty streets of North Everett, a musical machine by the name of Alex Johnston has been forging a path of his own. At the ripe age of 31, this folktronica luminary has etched their name into the stone of sonic history, with a career spanning seven years and counting.
A virtual portal where the muses of creativity collide. But it’s with the imminent release of his 11th studio album, “Daylight Fooldream,” that Alex Johnston truly ascends, and it’s a cosmic ascent worth chronicling.
This project, clocking in at 37 minutes of pure auditory revelation, is a tapestry woven from threads of deja vu, spun with the ethereal yarn of confusion and confidence. Shot entirely on an iPhone 14—a testament to modern DIY artistry—it’s a visual odyssey that stretches the boundaries of imagination.
The essence of “Daylight Fooldream” lies in a profound narrative—a journey that traverses the chasm between two realities, masterfully rendered by Alex. It’s a tale of inner conflict, of being pursued by one’s own fanciful thoughts, yet ultimately finding salvation in the crucible of clarity. The music beckons, pulling us into its dreamlike embrace, guiding us back to a place called home.
This auditory soothsayer is no mere musician; they’re a sonic shaman, a maestro of the abstract, and they’re unleashing their creative magic on 9.15.23. But the true revelation awaits on 9.23.23, when “Daylight Fooldream” unfurls its visual splendor at Narrative Coffee.
Prepare for an encounter that transcends the ordinary; lose yourself in the kaleidoscopic tapestry of Alex Johnston’s sound. It’s a musical pilgrimage into the unknown, a journey that will leave you longing for more.
Alex Johnston is an artist who will be known for his captivating video album that seamlessly merge music and storytelling through a cinematic lens. His work involves crafting visually stunning narratives that complement and enhance the emotional depth of his album. With a unique blend of musical talent and visual artistry, Alex Johnston creates a mesmerizing experience for his audience, where each track on his album comes to life through intricately designed music video or segments of his storytelling film. His ability to interweave the auditory and visual aspects of his artistry makes Alex Johnston a trailblazer in the realm of multimedia music experience, leaving a lasting impression on his listeners and viewers alike.
In the world of music, where creativity knows no bounds, I envision a remarkable approach to crafting a music video for an entire album. This endeavor transcends the conventional, inviting audiences to embark on an interactive journey of sound and visuals, a narrative woven delicately through every note and lyric.
The central theme for this ambitious project delves deep into the essence of the album, be it a story, a metaphor, or an abstract concept. It’s the thread that binds the songs together, providing coherence and meaning to the music.
Within this visionary world, he sculpted breathtaking virtual landscapes, each segment representing a unique song. From enchanted realms to enigmatic dreamscapes, every environment pulses with life and emotion.
“I don’t remember where I heard this from but songwriting is like waiting for a bus. The bus will come, you don’t quite know when or where but the only way to get on it is to show up at the bus stop”
-unknown
The MusicManiac Finds Out
Q: Can you walk us through your songwriting process?
A: Some albums like “Death on the Ground” and “Colder Love” were inspired by seasons and written in a time crunch I imposed on myself. It involved focusing on an image, scene, or concept in my mind and just rolling with it musically, trying to emphasize the text through the chords, pacing, and melody.
My album “Little Impulses” was written on acoustic after pressing record and forcing myself to sing words that came to mind and that had a lot of vague, yet deeply intimate songs.
Other albums like “Spinning Jewel”, “No Room For Form”, and “Upspiral” were written during chapters of my life. Writing songs begins with lyrics a lot of the time which could be singing something in the car or at home or on a walk and extrapolating on that feeling. Then the melody and music come from the lyrics.
This album involved a massive document of lines that starting combining together and centered around this concept of jumping between your past and potential futures. As I scrolled through the document I look for patterns that form between entries and mash them together and then start seeing what music could be like. With this album I liked incorporating old lyrics into songs so the worlds collided.
With production I love to make a world that feels impossible with loads of layers and especially chopping things up, parts of the song or older songs of mine or random sounds related to the lyrics and splicing them around to create a world unique to the song and album. I feel like this brings out the imaginative and reflective side of my music and pulls people in. Everyone hears and discovers something different and that’s a bit like life and it’s fun and expressive for me to make music like this!
Q: What or who inspired you to pursue a career in music?
A: Picked up guitar in 7th grade and piano after high school. Since I started I’d record on the 8 track my dad got me one Christmas. It just felt natural to write songs. I was big into Pink Floyd and their conceptual work like Dark Side and The Wall as a visual album enchanted me and was infused into my artistic side, definitely inspiring this project.
I almost studied English in college and then in a random turn of doors opening I was offered a scholarship to study music and that’s where I met my then teacher, now mentor and friend Lacey Brown. I remember when I made my first EPs I was skeptical if I should release them. Lacey told me I should just release them and work on whatever’s next. She said I can always make more and grow and expand and to make as much music as I can. That has stuck with me and it’s wild to me to think that was only 7 years ago. So much life has happened and so many songs have been made and have yet to be made!
Q: What challenges have you faced as an emerging artist, and how have you overcome them?
A: The challenges I’ve faced have mainly been my own. I have not put a lot of work into the business side of promoting myself and gigging over the years and probably missed out on lots of good opportunities and connections so I am having to build that up now and it can feel discouraging having been making music for a while, knowing I have what it takes to put on a good show but feeling like a nobody.
But at the same time, I feel steady in myself as an artist regardless. I’ve released a lot of music from the cave of my bedroom that I am proud of. Most importantly I feel like I’ve grown a lot of love for ordinary joy of making music and producing it without the big gratification or busy work of playing lots of shows. But I’m looking to play a lot more!
Q: Do you have any dream collaborations with other artists?
A: I’d really love to connect with folks in the Seattle scene. I got to make a music video for Jul!et recently after she saw my video for my song Dizzy. It was really fun to craft a story and bring her vision to life. I would love to have more opportunities like that with Seattle artists in addition to leaving my atmospheric touch or even doing guest vocals in others’ music and having them.
Or even doing weird performance art type shows that are different than just 3 bands with 40 minute sets. I think there’s a lot happening in the Seattle scene right now that’s cool but I’ve always loved the idea of making shows more memorable than just doing our sets. I don’t quite know what that looks like but it’s an idea that’s been floating around in my head. But a long term big dream of mine is doing a soundtrack or landing a song on a tv show or a movie.
Q: Are there any upcoming projects, tours, or exciting plans you can share with your fans?
A: For those who didn’t catch my first premiere at Narrative in Everett, I’m excited about performing and premiering my visual album again at the Fremont Abbey on Sunday October 8th!
This album was recorded a lot at night so I had a lot of mellow vocals. Whatever I make next, I want to take my voice to the next level. I love singing songs like Don’t Stop Me Now by Queen at karaoke.
Whatever I do next I want to tap into more intensity and energy!
Q: So far what’s been your favorite show you have performed? Why?
A: One of the last shows I did involve removing layers of my outfits, playing keys, guitar, my synthesizer, painting while singing my last song while I set up a loop and walked off and exited the room while it played to end my set. There weren’t a lot of people in the room and it felt nice to be commuted to and immersed in the show regardless. but one of my musical role models was there and thought it was amazing and that honestly meant the world to me! And it was just so fun!
Q: What has been the most rewarding experience as a musician so far?
A: One of the most rewarding experiences I’ve had is being able to work and record with Damien Jurado. Damien is an amazing person, a brilliant artist, prolifically imaginative, wise, and kind. I’ve loved his music for a while for it’s conceptual nature and down to earth-ness. I never thought I’d get to work with an artist that has inspired me and have him support me in my music endeavors and even come to my shows. Getting to on his albums was a richly collaborative, joyful experience that made me appreciate and consider what matters making music in the long run.
But also being able to connect with people who I know genuinely resonate with my music. I even had a residency doing live ambient music at a yoga studio and that was really special. It’s an honor to create and share and I feel deeply grateful to share my music and myself with others and for whoever takes the time to dive into my world with me!
Hatched from the creative minds of multi-instrumentalists Jen and Joe Vickrey back in 2019, English Budgies took flight as Utah’s indie-alt rebels. Their musical prowess, impeccable studio wizardry, and electrifying stage presence have catapulted them into the limelight.
In 2022, the band welcomed the percussive force of nature, Sam Tucker, and the six-string sorcerer, Matthew Minich, into their ranks. With this formidable quartet, they embarked on a rampage through the untamed landscapes of the West leaving audiences awestruck in their wake.
As if that wasn’t enough, this year, English Budgies have unleashed a sonic onslaught, dropping two singles that are nothing short of anthems for the disenchanted. Brace yourselves, for the English Budgies are the storm on the horizon, and they’re here to shake the indie-alt world to its core.
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Dropping like a musical bombshell on August 4th, 2023, ‘She Reporter’ is a raw, electrifying creation that traces its origins back to a gritty jam session between the enigmatic duo, Joe and Jen. However, just when the world was about to bear witness to their sonic revelation, drummer Sam Tucker entered the scene, demanding the single be reshaped with his thunderous beats. This audacious move injected newfound vitality, propelling the track into a realm of unapologetic edginess. The metamorphosis didn’t just elevate the song; it forged an unbreakable bond, solidifying the trio’s chemistry as they stormed into their groove with a relentless energy that reverberates through every note of ‘She Reporter.’
“On the 25th of May in 2023, the music landscape witnessed a seismic event with the release of ‘Had Enough.’ This latest opus from English Budgies is a testament to the enduring influence of legends like Pixies and Modest Mouse, yet it transcends mere emulation, marking a zenith in the band’s creative journey.
Matthew Minich, a virtuoso in his own right, weaves lead guitar lines that are nothing short of transcendent. His fretwork, like the steady hand of a seasoned artist, paints vivid aural landscapes that command our rapt attention. Meanwhile, Joe Vickrey’s vocal prowess carries an air of authority, delivering hooks that are as sharp as they are evocative.
In ‘Had Enough,’ English Budgies embark on a quest for evolution. It’s not an album content to dwell on past glories; instead, it surges forward with unwavering resolve. This is the hallmark of a band that has spent a lifetime in the crucible of musical creation, one that understands the importance of constant reinvention.
It’s not a simple collection of songs; it’s a profound statement. ‘Had Enough’ encapsulates the essence of a matured band, one that has traversed the ever-changing tides of the music industry. It’s an eloquent testament to their enduring artistry, inviting listeners to join them on a journey that transcends time and trends.”
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Q: What’s the story behind your latest album or single?
A: Jen and I (Joe) had this jam we recorded and one day we were just scrolling through old ideas (mostly for a laugh), and then we got excited about the main riff to what became She Reporter. We sat there playing it for ages trying to figure out a melody. Eventually I blurted out the line “if there’s something in your eyes” and I could see Jen give this nod of approval. We didn’t talk about it for a couple of days so I thought it was going to die again but then Jen came up to me and said, “okay I’ve got it.” And had the whole song written. It’s definitely a band favorite to play live!
Q: Are there any specific themes or messages you try to convey through your music?
A: Typically either Jen or I have an idea and we’ll bring it to the band to see if anything magic happens with all four of us. It might just be a riff or it may be something more put together, but we’ll gauge everyone’s excitement on the piece and goof on it for a few minutes each rehearsal until we have something that starts to resemble a song.
Q: Out of all of you, who’s the one to show up late to a practice or show?
A: People let you down.
Q: When and where is the next show(s)?
A: We’re playing this Friday at the Marmalade Jam Fest in SLC which will be fun!
Q: Your band finds a $100 bill on the ground, what do you do with it?
A: Junk food. Almost guaranteed. Maybe a pizza and a few drinks, but probably post-show dessert!
Q: How do you feel your music has evolved over the years?
A: In the first couple of years, English Budgies was very much just Jen and I stretching to do everything we could. Certain ideas got passed on because they were outside of our wheelhouse and things we’d just have to learn to make something work. Now we’re in a situation where we have a very competent drummer and lead guitarist which allows us all to sort of just focus on what we need to do individually. The songs are better because we can focus on writing more than producing and juggling.
Q: Out of all of you, who’s the one to show up late to a practice or show?
A: For home shows it’s quite the toss up! We all live in different cities, so it depends who has the furthest commute and who gets off work when. Whoever is first typically sends the group a text about parking and if the sound person has arrived yet though which I love. Haha.
Hailing from the vibrant musical scene of Seattle, Medejin emerges as an artistic virtuoso, conjuring a mesmerizing sonic landscape that effortlessly melds elements of dreamwave into a tapestry of unparalleled richness. With a deft touch, Medejin invites us to journey through a musical realm that is nothing short of euphoric, yet at the same time, delicately and disarmingly intimate.
Each note and melody, carefully crafted by this gifted group of musicians, serves as a brushstroke on a canvas of sound, painting a vivid portrait of sonic beauty. The music conjures a dreamscape where listeners are enveloped by waves of lush, otherworldly sound, evoking emotions that resonate deep within the soul.
Medejin‘s ability to seamlessly blend euphoria with an intimacy that feels like a secret shared between artist and audience is nothing short of captivating. It’s as if the listener is invited to peer into the artist’s soul, where vulnerability and passion intertwine to create a musical experience that transcends mere entertainment, leaving an indelible mark on the heart and mind. In the hands of Medejin, dreamwave becomes a portal to a realm of exquisite beauty and emotional depth.
Medejin, an artist forged in the fires of dream wave and rebellion. The architects of this sonic revolution, craft otherworldly soundscapes that defy the norm. With a fusion of dream pop, shoegaze, and indie rock, their music is a hypnotic journey through the shadows.
In their dark, reverb-soaked symphony, you’ll encounter ethereal synths and Taranto’s haunting vocals that pierce through the chaos. Medejin doesn’t create music; they conjure a visceral experience that’s part dream, part reality. It’s a rebellion against the mundane, and it’s earned them a cult-like following in the underground world of dream wave.”
In “Sea Stacking”, the soundscape unfolds with the gentle sway of drizzly synths that mirror the city’s moody skies. The bassline pulses like the city’s heartbeat, a subtle reminder of the ever-present energy. The drums, crafted with electronic finesse, mimic the distant patter of rain on a windowpane, lulling the listener into a trance.
The vocals, delivered by a soulful Seattle songstress, are enigmatic and wrapped in layers of reverb, akin to voices reverberating across the city’s valleys and hills. The lyrics, infused with the spirit of the Emerald City, delve into introspection and the complexities of urban life, often touching on themes of reflection, yearning, and the surreal experiences of city living.
Within “Sea Stacking,” you’ll discover fleeting moments of sonic magic; Shimmering guitar riff reminiscent of city lights reflecting on the Puget Sound, or an ambient swell akin to the ebb and flow of the Pacific Ocean. These sonic embellishments enrich the dreamlike quality of the music.
In the heart of Seattle, “Sea Stacking” by our dream wave band captures the essence of the city’s soul. It invites listeners to a contemplative dreamscape where the boundaries between the city’s urban realities and its ethereal dreams blur, and emotions flow like the tides of Elliott Bay.
“It is not your business to determine how good it (your work) is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open.”
Martha Graham – Famous Modern Dance Choreographer
On October 20, 2023 the record will be out to the masses. “The Garden” the highly anticipated project from Medejin has been a passionate process making music and collaborating with other individuals. “The Garden” is coming out on Icy Cold Records, Paris and Den Tapes on October 20th. The first single, “Sea Stacking” has been released since September 8th.
Be present at The Sunset Tavern on November 11. Medejin will be sharing the stage with Tomo Nakayama and Rub!
Experience the heartbeat of their band like never before! Delve into the rhythmic pulse of their music and the backstage stories that make our journey unique. social media channels are your backstage pass to exclusive content, live performances, and a front-row seat to their musical adventures. Join us in this melodic odyssey – a single click on those social media icons, and you’re in for a harmonious ride with Medejin!”
Q: What or who inspired you to pursue a career in music?
A: “I was always singing from the time I was really young and also played piano. When I was a teenager I was hugely inspired by Tori Amos and thought if I ever were to pursue a career in music, it would only be if I wrote my own songs. But I was convinced I wasn’t able to do that so I never saw myself pursuing music even though I loved it more than anything (I also really loved ballet at that time too). I remember it was the summer before I graduated college I met with this guy who owned a studio and we collaborated on a song together. I came home and tried to play it on piano and couldn’t remember it at all and ended up writing another song that was all mine. It wasn’t amazing but it was the beginning of something and I knew that. I remember crying when I sitting at my piano writing it I think because I was finally releasing something that I let hold me back for years, this false belief and it just broke. And that was it.”
Q: What’s the story behind your latest album?
A: “Most of the songs revolve around themes of love and loss, the beauty of the present, death, motherhood, feelings of self doubt, being stuck in your head.”
Q: What do you think sets you apart from other musicians in your genre?
A: “I feel like I float between different genres from one song to another, although the essence of our sound remains and I think that’s pretty neat.”
Q: What do you hope listeners take away from your music? Are there any specific messages or emotions you aim to convey?
A: “I’d say the message is to be real. For me that’s being really sensitive and emotional and very nostalgic. Whatever the listener feels, as long as they’re feeling something, then that’s a win for me.”
Q: Can you share a time when you pushed the boundaries of your comfort zone to create something truly groundbreaking?
A: “A few years ago I participated in “Rock Lottery” where the premise is a bunch of musicians from different bands and projects around Seattle get together and form a band on the spot by names getting chosen out of a hat. Most of the people don’t know each other and you have to create like 3 to 5 songs in the matter of hours and perform them in front of an audience that same night. I’ve never done anything remotely like this before and I was terrified. I’m someone who likes to be super prepared and practiced and I also usually write alone. So I pretty much forced myself to do this, to face the fear of being put on the spot and of feeling out of control. I’m so glad I did though because at the end of the night, going through that experience together, there was such a feeling of support and comradary we had as a band. It also showed me that it’s ok to be uncomfortable because you can push through it and still have an awesome time and create something really wonderful.”
Q: Describe a moment when you felt a deep emotional connection with your audience during a live performance, and how did it impact you?
A: “Just this summer we had a really memorable time playing at The Central Saloon. It somehow felt like we were on tour and out of town so the energy from the audience was different. There was this real engagement and involvement from the audience and us that was palpable. A genuine back and forth, like a conversation that came naturally and made you feel comfortable in sharing. That doesn’t always happen so when it does, it feels special.”
Hailing from Seattle’s underground, Tinsley is an indie pop provocateur. With rain-soaked lyrics and defiant melodies, her music echoes love’s battles and irreparable loss. From the shadows emerges Tinsley, an electrifying blend of vulnerability and edge, a heart on the brink.
In Seattle’s music jungle, where survival is for the fierce, Tinsley roared onto the scene. With a gutsy blend of emotion and rebellion, she carved a niche amidst authenticity’s reign. Her breakthrough wasn’t a whisper; it was a thunderclap, defying odds and owning the spotlight in a dog-eat-dog arena.
Introducing Tinsley, a rising star in the indie pop realm. Her music is a rebellious fusion of captivating melodies and gritty, unapologetic lyrics that hit like a punch to the gut. Her distinctively raw vocals exude attitude and confidence, drawing listeners into a world where vulnerability meets empowerment. One thing about Tinsley, she will wear her heart on her sleeve and make sure you see it.
Diving deep into her own experiences, Tinsley fearlessly explores themes of heartbreak, resilience, and the thrill of breaking free from conformity. The lyrics read like pages torn from a diary, giving an unfiltered glimpse into her journey. Backed by a dynamic blend of electric guitar riffs and pulsating synths, Her sound is an adrenaline-fueled cocktail that’s equal parts angsty and anthemic.
Production-wise, the music boasts a polished grittiness, embracing a DIY ethos while still delivering a professional punch. With influences ranging from alt-rock to synth-pop, Tinsleys’ music refuses to be confined to a single genre. As they carve out a unique space in the indie pop scene, She is set to electrify audiences with a rebellious sound that challenges norms and invites listeners to embrace their own unapologetic authenticity.
Seriously you’ve gotta check out more of Tinsley’s music! Get ready to vibe with her edgy melodies and take a ride on the wild side. Just hit up the links below.
Q: Can you walk us through your songwriting process?
A: For this EP, I first came up with song ideas on my own and recorded them as voice notes. I usually start with very basic chords on my acoustic guitar and let the melodies and lyrics come. Then, I share the voice notes with the producers I work with (in this case Andrew Vait and Timothy Robert Graham) and they help me expand on and strengthen the song idea. We workshop the song together until we have a full song that we’re both excited about.
Q: Are there any specific themes or messages you try to convey through your music?
A: I always tend to write about love and romance, and that’s why I named the EP Love Songs. They are my favorite and most natural kind of songs to write.
Q: How do you feel your music has evolved over the years?
A: I first started out releasing more electronic dance/pop leaning music due to the producers who approached me, but my sound has evolved to a more organic, instrument led sound. The addition of having a full band while performing has made the switch even more fun.
Q: What has been the most rewarding experience as a musician so far?
A: I’d have to say playing the Neumos stage at Capitol Hill Block Party 2022. It was a dream come true!
Q: Do you have any pre-performance rituals or routines?
A: I listen to my set list on loop.
Q: How do you handle creative blocks or challenges in your music career?
A: By taking breaks when I need them and not forcing myself to always be working on music. Music is a sacred joy to me, so I stop doing it when it no longer feels that way.
Q: Are there any artists or bands that have had a significant influence on your music?
A: I grew up on 80s new wave music that my parents would play in the car, and Taylor Swift is the reason I taught myself to play guitar and started writing songs.
Q: What do you think sets you apart from other musicians in your genre?
A: I try not to compare myself to other artists, but I’d have to say my lived experience since every song I write comes from a very personal place.
Emerging from Seattle’s gritty underbelly, Walldrugs fuses electronic with edgy pop-rock, echoing the city’s streets. With haunting melodies and raw lyrics, they explore love, addiction, and urban longing, becoming a refuge for rebels. Fronted by a fearless vocalist, their electrifying performances and unapologetic stage presence capture the essence of late-night thrill-seekers. Walldrugs: where beauty thrives in chaos, and music dances to its own defiance.
“Blind,” a captivating track from Walldrugs’ EP, unleashes a vibrant fusion of retro pop and pulsating electronic elements. With an infectious and upbeat sound, the song ignites an energetic dance between nostalgia and modernity. Spirited and lively, “Blind” transports listeners to an era where neon lights shimmered alongside the birth of electronic music, all while maintaining an unmistakable contemporary edge. The seamless blending of these influences creates an auditory journey that invigorates the senses and beckons you to hit the dance floor, capturing the essence of unbridled joy and musical evolution.
Walldrugs’ audio recording captures their raw passion and authentic essence. Their DIY approach emphasizes an unfiltered sound that blends electronic pop and rock elements, creating an intimate atmosphere. This unpolished quality lets listeners connect intimately with the band’s unique artistic vision, offering a sincere and compelling musical experience.
Q: Art can be a powerful tool for social change. Is there a specific message you’re trying to convey through your work, and how do you hope it will impact viewers?
A: A lot of our songs deal with social anxiety in some form or fashion, be it the Seattle freeze or nervousness about talking to someone you have feelings for, and even the sense of fear in seeing an ex in public. I think the need to be accepted, be it by a romantic partner or a community is very evident in our songs, and any message would be that it’s okay to feel that need, it’s okay to be wanted and accepted by a community or another individual in spite of your perceived inability to do so.
Q: In a world saturated with music, what unique quality or perspective do you believe your music brings to the table?
A: Diversity and a desire to make people dance. We’re truly very different musicians from very different backgrounds both from a musical and regional standpoint. Our collective resume includes punk rock from SLC, Tacoma garage rock, touring shoegaze bands, a Cure cover band, a Dead Moon cover band, juke joints in rural Mississippi, an actual degree in music, and music that sounds like it came straight out of a Twin Peaks episode. Somehow we’ve come together as musicians and created this project that’s dancy as hell. We’ve always joked our main goal is just to make Seattle dance again.
Q: What’s the story behind your latest album or single?
A: Our latest single “Blind” actually came about after we were compared to The Sundays following a gig. After revisiting some of their stuff, we started jamming on this new song our singer Beatrix had written and subconsciously wrote a song that sonically is very similar to The Sundays. The title itself actually accidentally became a nod to the album also titled “Blind” by The Sundays.
Q: How was Walldrugs formed?
A: Our bass player Jacob frequented a coffee shop that our synth player Aaron worked at and they’d talk about music and that led to them jamming.
